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Theatre history studies . 2011, volume 31 [[electronic resource] /] / edited by Rhona Justice-Malloy
| Theatre history studies . 2011, volume 31 [[electronic resource] /] / edited by Rhona Justice-Malloy |
| Pubbl/distr/stampa | Tuscaloosa, Ala., : Mid-America Theatre Conference and the University of Alabama Press, 2011 |
| Descrizione fisica | 1 online resource (190 p.) |
| Disciplina | 792.0973 |
| Altri autori (Persone) | Justice-MalloyRhona |
| Collana | Theatre history studies |
| Soggetto topico | Theater - History |
| Soggetto genere / forma | Electronic books. |
| ISBN | 0-8173-8584-3 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Contents; List of Illustrations; In Memoriam: Vera Mowry Roberts (1913-2010) - Milly S. Barranger; Class Act(resses): How Depression-Era Stage Actresses Utilized Conflicting Gender Ideals to Benefit Their Community - Kelly Carolyn Gordon; Storytelling, Chiggers, and the Bible Belt: The Georgia Experiment as the Public Face of the Federal Theatre Project - Elizabeth Osborne; Shakespearean Celebrity in America: The Strange Performative Afterlife of George Frederick Cooke - Rick Bowers; Burns Mantle and the American Theatregoing Public - Dorothy Chansky
Weeki Wachee Girls and Buccaneer Boys: The Evolution of Mermaids, Gender, and "Man versus Nature" Tourism - Jennifer A. KokaiJulia Marlowe's Imogen: Modern Identity, Victorian Style - Patty S. Derrick; Book Reviews; Heather S. Nathans, Slavery and Sentiment on the American Stage, 1787-1861: Lifting the Veil of Black - Reviewed by Rosemarie K. Bank; Kerry Powell, Acting Wilde: Victorian Sexuality, Theatre, and Oscar Wilde - Reviewed by Karen C. Blansfield; David Savran, Highbrow/Lowdown: Theater, Jazz, and the Makingof the New Middle Class - Reviewed by Dorothy Chansky Irene G. Dash, Shakespeare and the Ameri can Musical - Reviewed by Tracey Elaine ChessumRakesh H. Solomon, Albee in Performance, and Anne Paolucci, Edward Albee (The Later Plays) - Reviewed by David A. Crespy; Judith Barlow, Women Writers of the Provincetown Players - Reviewed by Sherry Engle; Jin Jiang, Women Playing Men: Yue Opera and Social Change in Twentieth Century Shanghai - Reviewed by Kathy Foley; DeAnna M. Toten Beard, Sheldon Cheney's "Theatre Arts Magazine": Promoting a Modern Ameri can Theatre, 1916-1921 - Reviewed by Eileen Herrmann- Miller Mark Cosdon, The Hanlon Brothers: From Daredevil Acrobatics to Spectacle Pantomime, 1833-1931 - Reviewed by Susan KattwinkelMichael Ragussis, Theatrical Nation: Jews and Other Outlandish Englishmen in Georgian Britain - Reviewed by Heather S. Nathans; Pamela Cobrin, From Winning the Vote to Directing on Broad way: The Emergence of Women on the New York Stage, 1880-1927 - Reviewed by Laura M. Nelson; Joseph Litvak, The Un-Americans: Jews, the Blacklist, and Stoolpigeon Culture - Reviewed by Brian Neve John P. Harrington, ed., Irish Theatre in America: Essays on Irish Theatrical Diaspora - Reviewed by Nelson O'Ceallaigh RitschelOscar Brockett, Margaret Mitchell, and Linda Hardberger, Making the Scene: A History of Stage Design and Technology in Europe and the United States - Reviewed by Van Santvoord; Mechele Leon, Molière, the French Revolution, and the Theatrical Afterlife - Reviewed by Michael Spingler; Marlis Schweitzer, When Broadway Was the Runway: Theater, Fashion, and American Culture - Reviewed by Monica Stufft Catherine A. Schuler, Theatre and Identity in Imperial Russia - Reviewed by Ryan Tvedt |
| Record Nr. | UNINA-9910465270703321 |
| Tuscaloosa, Ala., : Mid-America Theatre Conference and the University of Alabama Press, 2011 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Theatre history studies . 2011, volume 31 [[electronic resource] /] / edited by Rhona Justice-Malloy
| Theatre history studies . 2011, volume 31 [[electronic resource] /] / edited by Rhona Justice-Malloy |
| Pubbl/distr/stampa | Tuscaloosa, Ala., : Mid-America Theatre Conference and the University of Alabama Press, 2011 |
| Descrizione fisica | 1 online resource (190 p.) |
| Disciplina | 792.0973 |
| Altri autori (Persone) | Justice-MalloyRhona |
| Collana | Theatre history studies |
| Soggetto topico | Theater - History |
| ISBN | 0-8173-8584-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Contents; List of Illustrations; In Memoriam: Vera Mowry Roberts (1913-2010) - Milly S. Barranger; Class Act(resses): How Depression-Era Stage Actresses Utilized Conflicting Gender Ideals to Benefit Their Community - Kelly Carolyn Gordon; Storytelling, Chiggers, and the Bible Belt: The Georgia Experiment as the Public Face of the Federal Theatre Project - Elizabeth Osborne; Shakespearean Celebrity in America: The Strange Performative Afterlife of George Frederick Cooke - Rick Bowers; Burns Mantle and the American Theatregoing Public - Dorothy Chansky
Weeki Wachee Girls and Buccaneer Boys: The Evolution of Mermaids, Gender, and "Man versus Nature" Tourism - Jennifer A. KokaiJulia Marlowe's Imogen: Modern Identity, Victorian Style - Patty S. Derrick; Book Reviews; Heather S. Nathans, Slavery and Sentiment on the American Stage, 1787-1861: Lifting the Veil of Black - Reviewed by Rosemarie K. Bank; Kerry Powell, Acting Wilde: Victorian Sexuality, Theatre, and Oscar Wilde - Reviewed by Karen C. Blansfield; David Savran, Highbrow/Lowdown: Theater, Jazz, and the Makingof the New Middle Class - Reviewed by Dorothy Chansky Irene G. Dash, Shakespeare and the Ameri can Musical - Reviewed by Tracey Elaine ChessumRakesh H. Solomon, Albee in Performance, and Anne Paolucci, Edward Albee (The Later Plays) - Reviewed by David A. Crespy; Judith Barlow, Women Writers of the Provincetown Players - Reviewed by Sherry Engle; Jin Jiang, Women Playing Men: Yue Opera and Social Change in Twentieth Century Shanghai - Reviewed by Kathy Foley; DeAnna M. Toten Beard, Sheldon Cheney's "Theatre Arts Magazine": Promoting a Modern Ameri can Theatre, 1916-1921 - Reviewed by Eileen Herrmann- Miller Mark Cosdon, The Hanlon Brothers: From Daredevil Acrobatics to Spectacle Pantomime, 1833-1931 - Reviewed by Susan KattwinkelMichael Ragussis, Theatrical Nation: Jews and Other Outlandish Englishmen in Georgian Britain - Reviewed by Heather S. Nathans; Pamela Cobrin, From Winning the Vote to Directing on Broad way: The Emergence of Women on the New York Stage, 1880-1927 - Reviewed by Laura M. Nelson; Joseph Litvak, The Un-Americans: Jews, the Blacklist, and Stoolpigeon Culture - Reviewed by Brian Neve John P. Harrington, ed., Irish Theatre in America: Essays on Irish Theatrical Diaspora - Reviewed by Nelson O'Ceallaigh RitschelOscar Brockett, Margaret Mitchell, and Linda Hardberger, Making the Scene: A History of Stage Design and Technology in Europe and the United States - Reviewed by Van Santvoord; Mechele Leon, Molière, the French Revolution, and the Theatrical Afterlife - Reviewed by Michael Spingler; Marlis Schweitzer, When Broadway Was the Runway: Theater, Fashion, and American Culture - Reviewed by Monica Stufft Catherine A. Schuler, Theatre and Identity in Imperial Russia - Reviewed by Ryan Tvedt |
| Record Nr. | UNINA-9910791963103321 |
| Tuscaloosa, Ala., : Mid-America Theatre Conference and the University of Alabama Press, 2011 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Theatre history studies . 2011, volume 31 [[electronic resource] /] / edited by Rhona Justice-Malloy
| Theatre history studies . 2011, volume 31 [[electronic resource] /] / edited by Rhona Justice-Malloy |
| Pubbl/distr/stampa | Tuscaloosa, Ala., : Mid-America Theatre Conference and the University of Alabama Press, 2011 |
| Descrizione fisica | 1 online resource (190 p.) |
| Disciplina | 792.0973 |
| Altri autori (Persone) | Justice-MalloyRhona |
| Collana | Theatre history studies |
| Soggetto topico | Theater - History |
| ISBN | 0-8173-8584-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Contents; List of Illustrations; In Memoriam: Vera Mowry Roberts (1913-2010) - Milly S. Barranger; Class Act(resses): How Depression-Era Stage Actresses Utilized Conflicting Gender Ideals to Benefit Their Community - Kelly Carolyn Gordon; Storytelling, Chiggers, and the Bible Belt: The Georgia Experiment as the Public Face of the Federal Theatre Project - Elizabeth Osborne; Shakespearean Celebrity in America: The Strange Performative Afterlife of George Frederick Cooke - Rick Bowers; Burns Mantle and the American Theatregoing Public - Dorothy Chansky
Weeki Wachee Girls and Buccaneer Boys: The Evolution of Mermaids, Gender, and "Man versus Nature" Tourism - Jennifer A. KokaiJulia Marlowe's Imogen: Modern Identity, Victorian Style - Patty S. Derrick; Book Reviews; Heather S. Nathans, Slavery and Sentiment on the American Stage, 1787-1861: Lifting the Veil of Black - Reviewed by Rosemarie K. Bank; Kerry Powell, Acting Wilde: Victorian Sexuality, Theatre, and Oscar Wilde - Reviewed by Karen C. Blansfield; David Savran, Highbrow/Lowdown: Theater, Jazz, and the Makingof the New Middle Class - Reviewed by Dorothy Chansky Irene G. Dash, Shakespeare and the Ameri can Musical - Reviewed by Tracey Elaine ChessumRakesh H. Solomon, Albee in Performance, and Anne Paolucci, Edward Albee (The Later Plays) - Reviewed by David A. Crespy; Judith Barlow, Women Writers of the Provincetown Players - Reviewed by Sherry Engle; Jin Jiang, Women Playing Men: Yue Opera and Social Change in Twentieth Century Shanghai - Reviewed by Kathy Foley; DeAnna M. Toten Beard, Sheldon Cheney's "Theatre Arts Magazine": Promoting a Modern Ameri can Theatre, 1916-1921 - Reviewed by Eileen Herrmann- Miller Mark Cosdon, The Hanlon Brothers: From Daredevil Acrobatics to Spectacle Pantomime, 1833-1931 - Reviewed by Susan KattwinkelMichael Ragussis, Theatrical Nation: Jews and Other Outlandish Englishmen in Georgian Britain - Reviewed by Heather S. Nathans; Pamela Cobrin, From Winning the Vote to Directing on Broad way: The Emergence of Women on the New York Stage, 1880-1927 - Reviewed by Laura M. Nelson; Joseph Litvak, The Un-Americans: Jews, the Blacklist, and Stoolpigeon Culture - Reviewed by Brian Neve John P. Harrington, ed., Irish Theatre in America: Essays on Irish Theatrical Diaspora - Reviewed by Nelson O'Ceallaigh RitschelOscar Brockett, Margaret Mitchell, and Linda Hardberger, Making the Scene: A History of Stage Design and Technology in Europe and the United States - Reviewed by Van Santvoord; Mechele Leon, Molière, the French Revolution, and the Theatrical Afterlife - Reviewed by Michael Spingler; Marlis Schweitzer, When Broadway Was the Runway: Theater, Fashion, and American Culture - Reviewed by Monica Stufft Catherine A. Schuler, Theatre and Identity in Imperial Russia - Reviewed by Ryan Tvedt |
| Record Nr. | UNINA-9910812051403321 |
| Tuscaloosa, Ala., : Mid-America Theatre Conference and the University of Alabama Press, 2011 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Theatre history studies . 2009, volume 29 [[electronic resource] /] / edited by Rhona Justice-Malloy
| Theatre history studies . 2009, volume 29 [[electronic resource] /] / edited by Rhona Justice-Malloy |
| Pubbl/distr/stampa | Tuscaloosa, Ala., : Mid-America Theatre Conference and the University of Alabama Press, 2009 |
| Descrizione fisica | 1 online resource (269 p.) |
| Disciplina | 792.09 |
| Altri autori (Persone) | Justice-MalloyRhona |
| Collana | Theatre history studies |
| Soggetto topico | Theater - History |
| Soggetto genere / forma | Electronic books. |
| ISBN | 0-8173-8298-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Contents; List of Illustrations; An Uncommon Woman: An Interview with Wendy Wasserstein; Thresholds of Pain in Performance: Tormenting the Actor and Audience; Designing American Modernity: David Belasco's The Governor's Lady and Robert Edmond Jones's The Man Who Married a Dumb Wife; A Historiography of Informed Imagination: A (Hi)Story Drawn from the Correspondence of Annie Russell and Faith Baldwin; The Miseries of History: Shakespearian Extremity as Cautionary Tale on the Restoration Stage; The Final Straw: Producing James Purdy at the Trinity Square Rep
Disappearing Frontiers and the National Stage: Placing the Portland Federal Theatre Project"Can't Someone Find Him a Stimulant?" The Treatment of Prohibitionon the American Stage, 1920-1933; The Tricks of Lun: Mimesis and Mimicry in John Rich's Performance and Conception of Pantomimes; Sensational with the Greeks and Daring with Shakespeare but Not So Sure about Shaw: Performance of George Bernard Shaw at Terence Gray's Festival Theatre, Cambridge, England, 1926-1935; Book Reviews; Robert A. Schanke, ed., Angels in the American Theater: Patrons, Patronage, and Philanthropy Barbara Ozieblo and Jerry Dickey, Susan Glaspell and Sophie Treadwell David Krasner, ed., Theatre in Theory, 1900-2000: An Anthology; Hazel Waters, Racism on the Victorian Stage: Representations of Slavery and the Black Character; Romeo Castellucci, Joe Kelleher, Nicholas Ridout, Claudia Castellucci, and Chiara Guidi, The Theatre of Socìetas Raffaello Sanzio; Tice L. Miller, Entertaining the Nation: American Drama in the Eighteenth and Nineteenth Centuries; Paige Reynolds, Modernism, Drama, and the Audience for Irish Spectacle Rhonda Garelick, Electric Salome: Loie Fuller's Performance of Modernism Paul Fortunato, Modernist Aesthetics and Consumer Culture in the Writings of Oscar Wilde; Zander Brietzke, American Drama in the Age of Film; William W. Demastes and Iris Smith Fischer, eds., Interrogating America through Theatre and Performance; John Patrick Diggins, Eugene O'Neill's America: Desire under Democracy; Harriet Hyman Alonso, Robert E. Sherwood: The Playwright in Peace and War; Jason Shaffer, Performing Patriotism: National Identity in the Colonial and Revolutionary American Theatre; Benjamin Harshav Benjamin Harshav and Barbara Harshav, trans.,The Moscow Yiddish Theater: Art on Stage in the Time of Revolution Laurence Senelick, Historical Dictionary of Russian Theater; Esther Kim Lee, A History of Asian American Theatre; Judith Curtis, "Divine Thalie": The Career of Jeanne Quinault; Philip C. Kolin, ed., Contemporary African American Women Playwrights; Books Received; Contributors |
| Record Nr. | UNINA-9910465268903321 |
| Tuscaloosa, Ala., : Mid-America Theatre Conference and the University of Alabama Press, 2009 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Theatre history studies . 2009, volume 29 [[electronic resource] /] / edited by Rhona Justice-Malloy
| Theatre history studies . 2009, volume 29 [[electronic resource] /] / edited by Rhona Justice-Malloy |
| Pubbl/distr/stampa | Tuscaloosa, Ala., : Mid-America Theatre Conference and the University of Alabama Press, 2009 |
| Descrizione fisica | 1 online resource (269 p.) |
| Disciplina | 792.09 |
| Altri autori (Persone) | Justice-MalloyRhona |
| Collana | Theatre history studies |
| Soggetto topico | Theater - History |
| ISBN | 0-8173-8298-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Contents; List of Illustrations; An Uncommon Woman: An Interview with Wendy Wasserstein; Thresholds of Pain in Performance: Tormenting the Actor and Audience; Designing American Modernity: David Belasco's The Governor's Lady and Robert Edmond Jones's The Man Who Married a Dumb Wife; A Historiography of Informed Imagination: A (Hi)Story Drawn from the Correspondence of Annie Russell and Faith Baldwin; The Miseries of History: Shakespearian Extremity as Cautionary Tale on the Restoration Stage; The Final Straw: Producing James Purdy at the Trinity Square Rep
Disappearing Frontiers and the National Stage: Placing the Portland Federal Theatre Project"Can't Someone Find Him a Stimulant?" The Treatment of Prohibitionon the American Stage, 1920-1933; The Tricks of Lun: Mimesis and Mimicry in John Rich's Performance and Conception of Pantomimes; Sensational with the Greeks and Daring with Shakespeare but Not So Sure about Shaw: Performance of George Bernard Shaw at Terence Gray's Festival Theatre, Cambridge, England, 1926-1935; Book Reviews; Robert A. Schanke, ed., Angels in the American Theater: Patrons, Patronage, and Philanthropy Barbara Ozieblo and Jerry Dickey, Susan Glaspell and Sophie Treadwell David Krasner, ed., Theatre in Theory, 1900-2000: An Anthology; Hazel Waters, Racism on the Victorian Stage: Representations of Slavery and the Black Character; Romeo Castellucci, Joe Kelleher, Nicholas Ridout, Claudia Castellucci, and Chiara Guidi, The Theatre of Socìetas Raffaello Sanzio; Tice L. Miller, Entertaining the Nation: American Drama in the Eighteenth and Nineteenth Centuries; Paige Reynolds, Modernism, Drama, and the Audience for Irish Spectacle Rhonda Garelick, Electric Salome: Loie Fuller's Performance of Modernism Paul Fortunato, Modernist Aesthetics and Consumer Culture in the Writings of Oscar Wilde; Zander Brietzke, American Drama in the Age of Film; William W. Demastes and Iris Smith Fischer, eds., Interrogating America through Theatre and Performance; John Patrick Diggins, Eugene O'Neill's America: Desire under Democracy; Harriet Hyman Alonso, Robert E. Sherwood: The Playwright in Peace and War; Jason Shaffer, Performing Patriotism: National Identity in the Colonial and Revolutionary American Theatre; Benjamin Harshav Benjamin Harshav and Barbara Harshav, trans.,The Moscow Yiddish Theater: Art on Stage in the Time of Revolution Laurence Senelick, Historical Dictionary of Russian Theater; Esther Kim Lee, A History of Asian American Theatre; Judith Curtis, "Divine Thalie": The Career of Jeanne Quinault; Philip C. Kolin, ed., Contemporary African American Women Playwrights; Books Received; Contributors |
| Record Nr. | UNINA-9910791962603321 |
| Tuscaloosa, Ala., : Mid-America Theatre Conference and the University of Alabama Press, 2009 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Theatre history studies . 2009, volume 29 [[electronic resource] /] / edited by Rhona Justice-Malloy
| Theatre history studies . 2009, volume 29 [[electronic resource] /] / edited by Rhona Justice-Malloy |
| Pubbl/distr/stampa | Tuscaloosa, Ala., : Mid-America Theatre Conference and the University of Alabama Press, 2009 |
| Descrizione fisica | 1 online resource (269 p.) |
| Disciplina | 792.09 |
| Altri autori (Persone) | Justice-MalloyRhona |
| Collana | Theatre history studies |
| Soggetto topico | Theater - History |
| ISBN | 0-8173-8298-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Contents; List of Illustrations; An Uncommon Woman: An Interview with Wendy Wasserstein; Thresholds of Pain in Performance: Tormenting the Actor and Audience; Designing American Modernity: David Belasco's The Governor's Lady and Robert Edmond Jones's The Man Who Married a Dumb Wife; A Historiography of Informed Imagination: A (Hi)Story Drawn from the Correspondence of Annie Russell and Faith Baldwin; The Miseries of History: Shakespearian Extremity as Cautionary Tale on the Restoration Stage; The Final Straw: Producing James Purdy at the Trinity Square Rep
Disappearing Frontiers and the National Stage: Placing the Portland Federal Theatre Project"Can't Someone Find Him a Stimulant?" The Treatment of Prohibitionon the American Stage, 1920-1933; The Tricks of Lun: Mimesis and Mimicry in John Rich's Performance and Conception of Pantomimes; Sensational with the Greeks and Daring with Shakespeare but Not So Sure about Shaw: Performance of George Bernard Shaw at Terence Gray's Festival Theatre, Cambridge, England, 1926-1935; Book Reviews; Robert A. Schanke, ed., Angels in the American Theater: Patrons, Patronage, and Philanthropy Barbara Ozieblo and Jerry Dickey, Susan Glaspell and Sophie Treadwell David Krasner, ed., Theatre in Theory, 1900-2000: An Anthology; Hazel Waters, Racism on the Victorian Stage: Representations of Slavery and the Black Character; Romeo Castellucci, Joe Kelleher, Nicholas Ridout, Claudia Castellucci, and Chiara Guidi, The Theatre of Socìetas Raffaello Sanzio; Tice L. Miller, Entertaining the Nation: American Drama in the Eighteenth and Nineteenth Centuries; Paige Reynolds, Modernism, Drama, and the Audience for Irish Spectacle Rhonda Garelick, Electric Salome: Loie Fuller's Performance of Modernism Paul Fortunato, Modernist Aesthetics and Consumer Culture in the Writings of Oscar Wilde; Zander Brietzke, American Drama in the Age of Film; William W. Demastes and Iris Smith Fischer, eds., Interrogating America through Theatre and Performance; John Patrick Diggins, Eugene O'Neill's America: Desire under Democracy; Harriet Hyman Alonso, Robert E. Sherwood: The Playwright in Peace and War; Jason Shaffer, Performing Patriotism: National Identity in the Colonial and Revolutionary American Theatre; Benjamin Harshav Benjamin Harshav and Barbara Harshav, trans.,The Moscow Yiddish Theater: Art on Stage in the Time of Revolution Laurence Senelick, Historical Dictionary of Russian Theater; Esther Kim Lee, A History of Asian American Theatre; Judith Curtis, "Divine Thalie": The Career of Jeanne Quinault; Philip C. Kolin, ed., Contemporary African American Women Playwrights; Books Received; Contributors |
| Record Nr. | UNINA-9910826522703321 |
| Tuscaloosa, Ala., : Mid-America Theatre Conference and the University of Alabama Press, 2009 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
